Toulouse Lautrec: Divan Japonais (music hall) Poster

Art nouveau, post-impressionism up to the largest sizes Professional high resolution scan, exclusively made for Zazzle. (800 DPI, 83 MB). Contact us for help with resizing (inches or centimetres), if you want custom versions (for events, marketing) or if you would like this image on another Zazzle gift. Henri De Toulouse-Lautrec for Divan Japonais (music hall), 75 rue des Martyrs, Montmartre, Paris. ed. Fournier Director. Colour scheme: black (very dark cobalt blue), grey (Dark grayish gamboge), dark grey (amberish black), yellow (brillant amber to light amber), vivid orange. enri Marie Raymond de Toulouse-Lautrec-Monfa or simply Henri de Toulouse-Lautrec (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman, and illustrator, whose immersion in the colourful and theatrical life of fin de siècle Paris yielded an œuvre of exciting, elegant and provocative images of the modern and sometimes decadent life of those times. Toulouse-Lautrec is known along with Cézanne, Van Gogh, and Gauguin as one of the greatest painters of the Post-Impressionist period. In a 2005 auction at Christie's auction house a new record was set when La blanchisseuse, an early painting of a young laundress, sold for $22.4 million U.S. From 1889 until 1894, Henri took part in the "Independent Artists' Salon" on a regular basis. He made several landscapes of Montmartre. It was in this era that the Rouge' opened.[2] Tucked deep into Montmartre was the garden of Monsieur Pere Foret, where Toulouse-Lautrec executed a series of pleasant plein-air paintings of Carmen Gaudin, the same red-head model who appears in The Laundress (1888). When the nearby Rouge cabaret opened its doors, Toulouse-Lautrec was commissioned to produce a series of posters. His mother had left Paris and while Henri still had a regular income from his family, making posters offered him a living of his own. Other artists looked down on the work, but Henri was so aristocratic he did not care. Thereafter, the cabaret reserved a seat for him, and displayed his paintings. Among the well known works that he painted for the Rouge and other Parisian nightclubs are depictions of the singer Yvette Guilbert; the dancer Louise Weber, known as the outrageous La Goulue ("The Glutton"), who created the "French Can-Can"; and the much more subtle dancer Jane Avril.